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Suspense Upgrades

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Post by greybelt 2/27/2024, 8:43 am

Today's Suspense episode is Account Payable with Edward Arnold and a marvelously despicable performance by Joe Kearns as a horrible and corrupt boss. Arnold plays a timid, frail bookkeeper. He is angered that his class-obsessed boss insults his daughter who has eyes for the boss' son. The bookkeeper realizes that there's something going on with the company books. He hatches a plan to get revenge for the insults, and to get his share of the boss' ill-gotten gains to make up for his underpaid previously loyal and honest service, and do away with the boss. It's a great story with superb performances, and a surprising Whistler-like conclusion. It has been an unfortunately unappreciated Suspense broadcast for decades. It's time it gets the attention it deserves. It is stunning how much can happen in just 24 minutes of drama.

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Edward Arnold was not the original choice for the part. Actor Frank Morgan was signed as guest star, but died unexpectedly about three weeks before. He was 59.

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

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Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
The Theater Five Project links to research, blogposts, media [You must be registered and logged in to see this link.]
The Joe Hehn Memorial Collection history, recordings, radio scripts, and other items [You must be registered and logged in to see this link.]
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Post by greybelt 2/28/2024, 6:18 am

Today's Suspense episode is Good Night, Mrs. Russell with Bette Davis in her only Suspense appearance. She plays a recently widowed office worker who starts a friendly acquaintance with the man behind the counter at a diner. A series of incidents there are unnerving and ends up with her tied up in a dark room of his home. How did she get there, trapped with a dangerous man who has severe anger, delusions, and paranoia? Her only chance to escape is to use those delusions against him.

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This creepy story was written by Ben S. Hunter, who became a very popular 1960s Los Angeles area TV personality. He started in radio as an announcer after WW2, but had some success in television and radio scriptwriting thereafter.

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

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Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
The Theater Five Project links to research, blogposts, media [You must be registered and logged in to see this link.]
The Joe Hehn Memorial Collection history, recordings, radio scripts, and other items [You must be registered and logged in to see this link.]
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Post by greybelt 2/29/2024, 10:08 am

Today's Suspense episode features Victor Mature in the Cornell Woolrich story, Momentum. A man's financial troubles and bad temper cascade into three murders in three hours. It’s an unbelievable story that can test listener's patience, and proves again that Suspense is not family listening. E. Jack Neuman's adaptation preserves Woolrich's literary device in which nearly-innocent act has unplanned bad consequences that compound and spin out of control. Hence the word “momentum” to describe all the unstoppable bad decisions and actions of Mature's character. Mature is great, the story is relentless, and the 30 minute time slot thankfully stops it.

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The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

This is coming up next week. I will have the Zoom link soon. MWOTRC starts their monthly meeting at 7pm and I expect to start around 745pm ET. Send me a private message if you are interested and I will send the Zoom link when I get it.
Suspense Upgrades - Page 6 Openin11

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Post by greybelt 3/1/2024, 6:28 am

Today's Suspense episode is The Search for Isabel and stars Red Skelton. It's an amusing creative fantasy combined with a crime detection plotline. He plays a lonely bank clerk in a new apartment and a new phone. The phone rings almost constantly with calls for “Isabel.” He becomes obsessed with her, fantasizing what she must be like, imagining she is attracted to him and that a romantic relationship is possible if only he could find her. He questions callers and starts to track Isabel down, piecing together whatever information he could find. He winds up with more than he bargained for. "Isabel" is part of a ruthless gambling operation!

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The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

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Suspense resource page [You must be registered and logged in to see this link.]
Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
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Post by greybelt 3/2/2024, 8:22 am

Today's Suspense episode is Murder of Aunt Delia and stars Van Heflin. His nefarious low-life character sees a too-good-to-be-true opportunity for a big financial score in grabbing the fortune of a frail, elderly woman. The script is not as demanding for a stunning performance like Three O'Clock, but it's Heflin, a Hollywood star who's great on radio... on Suspense... with a good surprise ending.

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The story is by Lou Huston, who was a writer for TV's Petticoat Junction. Uncle Joe, Kate, and Billie Jo, Bobbie Jo, and Betty Jo would be appalled at the scheme Mr. Huston creates here Smile

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

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Suspense resource page [You must be registered and logged in to see this link.]
Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
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The Joe Hehn Memorial Collection history, recordings, radio scripts, and other items [You must be registered and logged in to see this link.]
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Post by greybelt 3/3/2024, 9:09 am

Today's Suspense episode is The Red Headed Woman with Lucille Ball and Desi Arnaz. It's an implausible story with publicity-driven casting that we accept and enjoy because we love Lucy! It will not be many months after this broadcast that Desi and Lucy would make television history as they created one of the most durable media franchises. Their personal relationship would end up stormy, but there's an innocence and newness in the show's listening. Ball's character has stolen a payroll worth more than $250,000 in today's money and starts heading for the border to start a new life. She encounters Arnaz' character and his stalled car at the side of the road and slowly starts to suspect he's a killer. Listen for the fun of it!

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The blogpost has details about the performance and how the script may have been enhanced from its original submission to accommodate the two stars.

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

You know you're in the weeds with this Suspense stuff when you agonize whether "Red Headed" should be hyphenated or not and you start going through scripts and newspapers and sometimes even grammar guides contemporary to the broadcasts. It is funny how there was such inconsistency in script covers, CBS publicity, and how newspaper radio page editors changed such things to their own preferences. You can literally see how the popular use of language and terms grow and change over time. There's no hyphen. Unless there are times there is one.

Busy week... Thursday starts the Good Old Days of Radio 10-installment series featuring Cornell Woolrich stories. Check it out Thursday morning at [You must be registered and logged in to see this link.] and on YouTube.  This is what's coming up, all Suspense except for one...
2024-03-07 - THU - The White Rose Murders
2024-03-14 - THU - The Singing Walls
2024-03-21 - THU - The Black Curtain
2024-04-04 - THU - I Won't Take A Minute
2024-04-11 - THU - You Take Ballistics
2024-04-18 - THU - The Night Reveals
2024-04-25 - THU - Post Mortem
2024-05-02 - THU - They Call Me Patrice
2024-05-09 - THU - Papa Benjamin (Escape)
2024-05-16 - THU - The Lie

The MWOTRC event log-in details are not available yet. That's live on Friday evening, open to all. My portion will start about 7:45pm after their meeting.

There are so many Suspense writers with curious careers. I narrowed the names down to only those writers who wrote their own scripts. That means that some of the original short story writers set to aside because despite their lives being curious, they were curious on their own and had to be adapted by Robert Richards to and others. There is a strange one where two writers end up crossing paths on Space:1999. I'll leave those details for Friday!

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Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
The Theater Five Project links to research, blogposts, media [You must be registered and logged in to see this link.]
The Joe Hehn Memorial Collection history, recordings, radio scripts, and other items [You must be registered and logged in to see this link.]
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Post by greybelt 3/4/2024, 8:27 am

Today's Suspense episode is The Long Wait with Burt Lancaster in a good story with a surprising ending. He's freshly-released from prison and anxious to get immediate revenge against the woman whose testimony led to his brother's suicide. When she's repentant, he decides to delay his vengeful act and lead her on with gifts and support to make the ultimate revenge all the sweeter and all the more vicious. But who's fooling whom?

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The script is by Fred Freiberger. Yes, he’s that Fred Freiberger, known among nostalgia fans and “Trekkies” as the producer of the much disparaged final season of the original Star Trek. He may be held in low regard by sci-fi fans, but he did have a long career as a screenwriter and producer, especially for television, and had some successes. (Shh! Please don't mention Space:1999)

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

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Suspense resource page [You must be registered and logged in to see this link.]
Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
The Theater Five Project links to research, blogposts, media [You must be registered and logged in to see this link.]
The Joe Hehn Memorial Collection history, recordings, radio scripts, and other items [You must be registered and logged in to see this link.]
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Post by greybelt 3/5/2024, 9:35 am

Today's Suspense episode is Mission Completed with Jimmy Stewart. It's an intriguing episode that involves the psychological residue of war service. Stewart portrays a paralyzed veteran who was tortured in a prison camp. It is a good story that involves grudges, revenge, mistaken identity and a surprise ending. Today, it is likely the character would be said to be suffering from PTSD. It is interesting that Stewart even took the role since he had his own challenges with what they called "shell shock" in that time. The blogpost has more details about that.

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Cary Grant was originally planned for this role, but it after hearing Stewart it is hard to believe anyone could do it as well. The sound quality of this recording is likely a big improvement for anyone who has heard this episode before. It's worth listening just to hear the better sound. The author of the script became an important Seattle area broadcasting executive and on-air personality.

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

I don't remember if I ever posted the much better recording of this on Cobalt. Be sure to get it.

Ditto for yesterday's Long Wait. That's a new recording I just got.

These were not part of the other Suspense holdings that collectors got access to through Pacific Pioneers discs decades ago. I have no clue where they were but the collectors at that time hunted the discs down. The close to source disc copies of these were not widely circulated, but copies of the copies of the copies were. So those had the buildup of tape hiss and the low level electronic noise that all reel recorders had. This particular recording came to me via Keith Scott who got it 40 years ago from Skip Craig.

The presentation for Friday is coming along. It's actually fun going through all the research that's been done in these last four years to present it to an audience hearing some of it for their very first time. It reminded me that the Suspense presentation I made at the 2019 SPERDVAC convention was the last time I covered this topic. That's 4-1/2 years ago. We've learned so much more since then.

Still waiting for the log-in info. Will post when I get it.

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Suspense resource page [You must be registered and logged in to see this link.]
Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
The Theater Five Project links to research, blogposts, media [You must be registered and logged in to see this link.]
The Joe Hehn Memorial Collection history, recordings, radio scripts, and other items [You must be registered and logged in to see this link.]
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Post by greybelt 3/6/2024, 6:11 am

Today's Suspense episode is For Love or Murder with Mickey Rooney in another fine appearance. He portrays a young pianist in an affair with an older woman. She convinces him they can live happily ever after if he murders her older and very wealthy husband and stages it as a robbery. He commits the brutal act and injures her, as planned, to make the incident believable to the police and hide her involvement. He soon realizes that her plans may not include him at all, and he’s been played for a patsy.

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The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

Tomorrow is the first of the ten Good Old Days of Radio podcasts featuring Cornell Woolrich stories. Link tomorrow.
No link yet for Friday's Suspense authors presentation.

A really big thing happened yesterday... researcher Karl Schadow responded to a request with information about the mysterious author Therd Jefre, scripter of Alibi Me. As usual, we learn the identity, a layer of the Suspense onion is peeled away and two more layers appear. It's not anybody famous or known to the series, but it involves a cover story, not just a name. Notes are still being assembled, documentation still being found, to be presented on Friday evening.

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Research and interview links re Suspense, Whistler, Big Story, Casey, and others [You must be registered and logged in to see this link.]
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Post by wich2 3/6/2024, 12:41 pm

greybelt wrote:researcher Karl Schadow responded to a request with information about the mysterious author Therd Jefre

(Homer Simpson voice:) "Fighting... urge... to... make joke... about the fake 'Burt Reynolds' name in the classic SNL "Jeopardy" sketches..."

Might this sometime Sherlock (including in a few weeks in Seattle) hazard a guess that he was the third Jefferey to write for them?

- Craig

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Post by greybelt 3/7/2024, 9:21 am

Today's Suspense episode is The Flame Blue Glove with Lana Turner. It's the second transcribed Suspense broadcast and her second appearance on the series. She plays a newly married ex-detective whose former boss believes that her husband killed his first wife. She decides to do the detective work herself to make sure it’s done right! It’s a good story, and a mildly surprising ending.

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Look for a separate post today for the beginning of a 10-installment series on the Good Old Days Of Radio podcast that features stories by Cornell Woolrich. I was asked by host John Tefteller and producer Daniel Chase to assist with episode background.

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

Yesterday's For Love or Murder was blocked by Google bots for an unspecified violation. I added a couple of words about how Shaw stopped writing because of how variable income was as a freelance scripter, just to make a change to get the review going. I did that at 6:50am (oh, how much better I sleep after exhausting karate class). I'll update this post as soon as I know it's active again. UPDATE: The post was reactivated at 7:20am ET.

"Therd Jefre" is one of the strangest pseudonyms I've encountered. Karl Schadow found it after I pointed out an early copyright registration for a play with that name. It's not one person, it's two. It almost looks like two sets of Scrabble tiles, but that game uses seven letters, not five. Yes, two persons, sisters, who lived in Brooklyn, and did freelance writing when they could get it. Details tomorrow night -- we're still grappling with getting the right chronology. Good thing they registered that play, because they never copyrighted Alibi Me! That was likely their only success, done twice on Suspense, once on Suspense TV, and on Alfred Hitchcock Presents!

The Good Old Days of Radio podcast is The White Rose Murders is at [You must be registered and logged in to see this link.] It's the Cornell Woolrich story that Los Angeles serial killer George Hodel used as inspiration. Hodel's son became a police detective!

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Post by greybelt 3/8/2024, 10:53 am

Today's Suspense episode is Double Entry. It's the second performance of the script, but this time with the multi-talented Eddie Cantor. He delivers a fine performance (but does not mention whoopie or Susie). And... we get to hear Wally Maher as the racetrack announcer! There's an inside joke about "that fink" Paul Frees, too!

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The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

Tonight is the Suspense writers presentation. The MWOTRC meeting begins at 7:30pm ET -- they have their member meeting, a quiz, and then researcher Karl Schadow will have some radio rarity and background. My part will begin about 8:15pm ET. I'll go about 45 minutes, then Q&A. Then they'll have the quiz answers. Join in when you wish. You don't have to log in at the very beginning of the meeting. My presentation will be posted on YouTube sometime next week if you can't catch it.

They have asked that the link not be shared on social media. If you want to attend, please send me a private message here and I will give you the log-in details.

Suspense Upgrades - Page 6 Openin12

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Post by greybelt 3/9/2024, 10:07 am

Today's Suspense episode stars Ida Lupino in The Bullet, by Larry Marcus. Her character is an unwilling participant in a terrorizing form of “Russian Roulette.” Her husband is out of prison. He's embittered by his jail time, and jealous of the business success she's had without him. Her fear builds with every repetition of "the game."

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Animation favorite voice June Foray appears in the Auto-Lite commercials.

The Suspense Project daily blogposts have series history and episode and performer background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

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Post by chasedad 3/9/2024, 11:42 am

greybelt wrote: Today's Suspense episode stars Ida Lupino in The Bullet, by Larry Marcus. Her character is an unwilling participant in a terrorizing form of “Russian Roulette.” Her husband is out of prison. He's embittered by his jail time, and jealous of the business success she's had without him. Her fear builds with every repetition of "the game."

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This gets my vote as the most loathsome episode of "Suspense", full stop. That the conclusion of the script is presented as a "happy ending" is unconscionable. There are probably quite a few scripts of the series that you couldn't get away with producing today because, rightly or wrongly, it's assumed that they just wouldn't fly with today's audience; "The Bullet" is, thankfully, one of those. Yuck!

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Post by greybelt 3/9/2024, 1:06 pm

The story is a letdown. But look on the bright side. It's in great sound and in lossless format Smile
[That seems to be all some people care about]
And Lupino gives a great performance!
[Bet she was thrilled to leave the studio]

There are some Suspense stories that you know would be just fine if they were updated for current times (technologies, etc) or even some plot or casting adjustments. This is not one of them.

Let's make a list: this ranks right up there with X-Ray Camera as an unlikeable episode with aspects that would definitely not fly today.

As I say about some irksome Suspense episodes:
Why can't this be one of the missing episodes so we could think more highly of it?


Last edited by greybelt on 3/9/2024, 1:49 pm; edited 1 time in total

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Post by chasedad 3/9/2024, 1:37 pm

greybelt wrote:

Let's make a list: this ranks right up there with X-Ray Camera as an unlikeable episode.

As I say about some irksome Suspense episodes:
Why can't this be one of the missing episodes so we can think more highly of it?

Well, at least in "The X-Ray Camera" the lead character gets what's coming to him the end (and I love the intentional irony of him not understanding why the women in his life can't find their way to forgiving him in the end).

How about "Summer Storm"? That's another one where I can't fathom what the writer had in mind. I think the ending was intended as an unalloyed happy one...but the Henry Fonda character sure comes off like a full-blown psychopath, and there doesn't seem to be any reason to believe that he's not going to murder someone that he perceives as a threat eventually, just because fate gave him a break this time.

"Heart's Desire" and the very similar "Rakovsky's Rubles" are two episodes that I just can't listen to again, having heard them once; likewise "Too Little to Live On". There's just something really not entertaining about listening to relatively innocent people in dire circumstances having more and more suffering piled on top of them until they eventually die in agony. Call me crazy!

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Post by greybelt 3/10/2024, 9:03 am

Today's Suspense episode stars Danny Kaye in I Never Met the Dead Man by William Bruckner. It's a case of mistaken identity as an innocent man with a prison record is framed for a gangland killing. This is not a Suspense best episode in plot or performance (though Kaye is fine), but it gets better after the unusually late mid-show commercial. Maybe there was a pep talk to the cast while Harlow was telling us how smart we are when we buy Auto-Lite spark plugs. The production runs late on time and you can hear how Wilcox, Kearns, and Simms speed up their commercial and closing credits to get the show to come in on the money.

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The Suspense Project daily blogposts have series  and episode history with performer, writer, and other production background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

Today's recording is better than most copies in circulation. The 1950 Spier-Macdonnell episodes present a challenge in getting clean recordings. The person who was doing the best job at disc transfers shifted over to Escape and his work is greatly missed. But, as we know, Suspense discs were recorded multiple times by different people. This will require some hunting, for sure.

The MWOTRC presentation video is up on YouTube, but it is of their whole meeting. This link will start at the moment I begin. [You must be registered and logged in to see this link.]

The presentation is 72 minutes long followed by 23 minute Q&A.

Audio files and the PDF of the slides will be available tomorrow. I should be able to get the edited video up on my YouTube channel soon.

The "Therd Jefre" stuff is still so fascinating. It was two sisters, Ruth and Mae Brandt, who were freelance writers. From what I can tell they were not very successful. When they pitched Alibi Me to Suspense they had a ruse that "Therd" could not come to the phone or do correspondence because "he" was blind or deaf (the person whom John Scheinfeld interviewed could not remember which it was, which gave the excuse for the Brandts intervention). Strangely, Alibi Me was never copyrighted. The way it was found was that "Therd" copyrighted a play in 1948, and when Karl Schadow looked at the copyright file, Ruth Brandt had submitted a change in registration to her and Mae in 1967, and that "Therd" was their pseudonym. It seems that none of their stage plays were ever produced. Alibi Me was likely their only success, produced twice on radio and twice on television, and no one knew it was them!

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Post by greybelt 3/11/2024, 7:05 am

Today's Suspense episode is Four Hours to Kill with Robert Taylor. He plays an enterprising newspaper reporter who wants to own a small newspaper business of his own. He asks his brother, a wealthy attorney, for the $5,000 he needs. (That's $65,000 in today's money). The brother is not happy with the prospect, and a scuffle begins. The brother falls and hits his head, and he's dead. A telephone is off the hook, with a young woman still on the line, and she's heard everything, and knows who he is. The story turns... it’s not someone trying to evade a killing by an unknown assailant, but an assailant looking for the right person to kill. It is unnerving how quickly he decided to find this woman to kill her rather than flee the scene... and how he uses his methodical investigative reporting skills for his evil pursuit.

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This script was used four times with minor modifications in 15 months... on The Whistler, Philip Morris Playhouse, Suspense, and Murder by Experts!

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Post by greybelt 3/12/2024, 9:29 am

Today's Suspense episode is The Escape of Lacey Abbott with William Powell. A man escapes from the psychiatric wing of a Manhattan hospital to expose the truth behind his wife’s murder. There are times when Powell’s performance is similar to Give Me Liberty. This time, however, his crazed performance is not to escape the law, but to assist the law and authorities. The story reaches a creepy crescendo which is so untenable as a broadcast at that period that you know things turn out well. Ride with it. It's not as good as Give Me Liberty, but it has its moments of engagement.

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The Suspense Project daily blogposts have series and episode history with performer, writer, and other production background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

The presentation about the Suspense writers is now up on YouTube [You must be registered and logged in to see this link.] Many Thanks to the Metro Washington Old Time Radio Club [You must be registered and logged in to see this link.] for inviting me to present at this month's meeting!

On Friday 3/22 I present about Theater Five to the REPS event. This year is the 60th anniversary of T5. Many upgrades in a new set we're working on.

Got the Spier copy of Philip Morris Playhouse version of Four Hours to Kill. Curiously, The Whistler production storyline had a cousin who refused to lend the money, but it is a brother in this Suspense version. The PMP production has him as a brother, but he's 28 years old and not 34. The PMP script has the 34 scratched out and 28 written in on the Spier copy of the script. Wonder why the change!

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Post by wich2 3/12/2024, 1:07 pm

greybelt wrote:Got the Spier copy of Philip Morris Playhouse version of Four Hours to Kill. Curiously, The Whistler production storyline had a cousin who refused to lend the money, but it is a brother in this Suspense version. The PMP production has him as a brother, but he's 28 years old and not 34. The PMP script has the 34 scratched out and 28 written in on the Spier copy of the script. Wonder why the change!

An "Occam's Razor" guess:

An at least passing attempt to make the Producers, and/or the Listeners, not be so sure they'd Heard It All Before?

- Craig

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Post by greybelt 3/13/2024, 6:28 am

Today's Suspense episode is Mr. Diogenes with Ozzie & Harriet Nelson who star as... themselves in a mostly lighthearted story. It's another publicity-driven casting, but Joe Kearns steals the show as the strange con-man Mr. Hector Diogenes. He's engaged in game show corruption by paying off a staffer to arrange for the show to call the Nelson's house with the game's question, pretend to be Ozzie, provide the winning answer, then collect the prize money (delivered in cash!). The set-up of the story is much better than its forced "we have to end this somehow" conclusion. Enjoy Joe Kearns who is so very amusing as the con-man perpetrates his ruse, which makes the listening worthwhile.

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Post by chasedad 3/13/2024, 9:46 am

greybelt wrote:
Today's Suspense episode is Mr. Diogenes with Ozzie & Harriet Nelson who star as... themselves in a mostly lighthearted story. It's another publicity-driven casting, but Joe Kearns steals the show as the strange con-man Mr. Hector Diogenes. He's engaged in game show corruption by paying off a staffer to arrange for the show to call the Nelson's house with the game's question, pretend to be Ozzie, provide the winning answer, then collect the prize money (delivered in cash!). The set-up of the story is much better than its forced "we have to end this somehow" conclusion. Enjoy Joe Kearns who is so very amusing as the con-man perpetrates his ruse, which makes the listening worthwhile.

I could never past the fact in this one that Ozzie and Harriet Nelson were playing characters named...Ozzie and Harriet Nelson. They don't seem to be playing their real-life selves and I guess they're supposed to be the same Ozzie and Harriet that they were playing on their "Adventures of Ozzie and Harriet" radio show at the time. So they have to have Ozzie insert some narration at the beginning about David and Ricky being off at summer camp to explain their absence, and about how he and Harriet were "spending a few weeks in the old apartment in New York" (huh?). But why bother with all that? Why not just give them different character names (as had already been done in their early "Suspense" appearance in "Too Little to Live On")? It certainly doesn't play like an episode of their sitcom...even though there's the exaggerated comedy of the closing gag, which plays more like something from a Jack Benny episode or Looney Tunes.

But, yes, you do get to hear Joseph Kearns do his Sydney Greenstreet impersonation (see also: "The Argyle Album" and "The Kandy Tooth Caper"), so there's that.

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Post by greybelt 3/14/2024, 6:42 am

Today's Suspense episode is Consideration with Rosalind Russell. Her character's husband embezzled $10,000 from his company. She's lost $22,000 on the horses. He's tripling their insurance, which raises concerns about his plan to get out from under their debts. He's a professional chemist working on a concoction that poisons without a telltale trace. It's a Richard Vodra script that's predictable until it’s not! It's one of his best, and gets better as it goes on. Enjoy it and Russell's performance.

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The dollar figures bandied about in the story were meant to be shocking to the listeners of that time. This is the opening's breakfast conversation, adjusted for inflation: “I stole $132,000, go get cash out of the safe deposit box for me” or “I lost $290,000 at the races and you didn’t even notice because you were so engrossed in your lab experiments” is how it would sound to listeners. The $10,000 and $22,000 of the story seem like nothing to today's listeners. But when average household income was $3300 and the average home was $7400, their combined debts of $32,000 likely seemed insurmountable.

The Suspense Project daily blogposts have series and episode history with performer, writer, and other production background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

As to chasedad's comments to yesterday's Mr. Diogenes. The New York apartment was a common thing for Hollywoodians who had their careers or their lives begin in NYC as the Nelsons did. These were often rent controlled apartments and if you vacated, you lost it and its comparatively low price. NYC was still massive a business of entertainment location, and entertainers and agents kept those apartments as places to hang their hat rather than use hotels and such for extended stays. It did not sound odd to this ex-NYer, since many "beat the heat" locations (Catskills, Poconos, Connecticut shoreline) communities could attract big entertainers and stage productions on summer tours in those years.

The joke at the end about paying the taxes did seem out of place, and it did make me wonder if the script was written with a different star or stars in mind. Could Benny have been a targeted guest?

I also wonder if it was rejected for the O&H show, but was decided as worthwhile for Suspense. That seems unlikely since it was a Swanton script, and O&H had their own gaggle of writers and Swanton was not one for writing funny stuff. I wonder if it was added in the re-write process of what to do once O&H were signed to do it as they looked for something to make it a little lighter and amusing as the curtain came down.

There are so many aspects of the script that just make it seem square-peg being forced into a round hole. The script is so very un-Suspense-ish. When Suspense has amusing scripts, or scripts with amusing moments, they still fit the culture of the series. This doesn't. It's another case of having great questions that are decades too late for good answers.

Regarding Four Hours to Kill, I now have the Whistler, Philip Morris Playhouse , and Murder by Experts scripts. It is so fascinating how a generic script would be sent to The Whistler team and how they would "Whistlerize" it to shift narration or character dialogue to that character and fit the format. Will do some comparisons when I get a chance.

The end of the Spier-Macdonnell season might be a time for a short blogpost break of a couple of days. I'm thinking it's time for some history posts and to get ready to shift to the Lewis era. There were many twists and turns to that time as broadcast technology changed, opportunities for movie stars shifted to television, and Suspense had to find a way to walk down the two distinct paths of audience engagement, audio and video, and keep each of those vibrant and compelling.

UPDATE Knew I forgot something -- Singing Walls has posted on the Good Old Days of Radio podcast [You must be registered and logged in to see this link.]

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Post by greybelt 3/15/2024, 6:09 am

Today's Suspense episode is The Butcher's Wife. It stars Kirk Douglas in an excellent performance in a James Poe script. The story is about envy and a love triangle that has no easy exit. It concludes with a surprising and brutal sequence that shows yet again that Suspense is not for kids. This episode is not often mentioned as a top Suspense broadcast, but it should be.

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This was Poe's first Suspense script. Classic radio fans know him best for the adaptation of the short story that became Escape's legendary production of Three Skeleton Key just a few months earlier. Poe was about 28 when that was broadcast, and he would soon become an Oscar-winning screenwriter.

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Post by greybelt 3/16/2024, 5:56 am

Today's Suspense episode is Murder Strikes Three Times and is the sole appearance of Marlene Dietrich on the series. It's a repeat production of Three Times Murder from 1946. She plays a conniving murderess whose life becomes intertwined with a corrupt money-grubbing lawyer, played so very well by Hans Conried.

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The Suspense Project daily blogposts have series and episode history with performer, writer, and other production background. They are up at 5:00am ET and include links to stream or download FLAC and MP3 recordings of the episodes. Enjoy!

The blogpost for Consideration was taken down by those bots who can't mind their own business. I added two innocuous words and it was up again in 10 minutes. It was down for 80 minutes total.

I spent more time than I should have on Lady Killer. No clue how that got through the cracks and ended up on the air. It's not done very well. It was done the season before on Philip Morris Playhouse with Cathy Lewis. Listening to Loretta Young do it on Suspense makes me think even average Cathy Lewis was better.  I so wish that Spier year (that rhymes) of PMP would be found. Some of the casting of scripts that were used on this season of Suspense seem quite good. The newspaper listings don't say much, however. But as an aside they did mention that Cathy Lewis was returning to the air after recovering from an illness. Anyone know what that might have been? The scripts for PMP are at University of Wisconsin in the Spier papers. Like the Suspense scripts there, they are not final production scripts, so they do not have cast information. The CBS publicity support for Suspense was much more aggressive, and the studios and actor agents added their weight behind it. PMP had no such push.

Almost done with the end of the 1949-1950 season. I did not realize until I went through the recordings one by one how challenged the sound quality was compared to the the seasons just before it. Wish the discs could be located and re-run.

The Kickstarter for the Boston Blackie series was successful. I Was a Communist for the FBI is next.


Last edited by greybelt on 3/16/2024, 7:33 pm; edited 1 time in total

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